Appropriating a brief fragment from a 35mm print of an old Kung Fu movie, NEVER A FOOT TOO FAR, EVEN is an action movie without action. Presented in double-projection, with images from two separate rolls overlaid to form a single image, this film focuses on an obscure figure finding himself in a forest path, caught between perpetual motion and stasis. The painterly images fluctuate in the complex shifting of colour and texture, phasing in and out through a polymetric structure. It is a perceptual journey without destination in the turning sphere of ever-changing image and sound, whose beginning and end move in parallel towards a fleeting point of convergence. The palindrome of the title alludes to the structural principle of the film, which is based on various combinations of a series of recurring sequences that move forward and in reverse simultaneously, defying the usual linear progression that is a characteristic feature of film work. With original sound composition by Malcolm Goldstein.