National competition of short student films
| 120 minutes | 0
The large, theoretical universe of cinema does not often bow to sound, maybe due to shyness, or maybe because this sense is more abstract, invisible. In this master class, one will witness its ability to stage, to explain without images and, especially, to feel — to allow the intuitiveand metaphoric to exist.Sylvain Bellemare has been a sound designer in Quebec cinema since the mid-90s and has worked with Denis Villeneuve, Stéphane Lafleur, Philippe Falardeau and many others. The Oscar for sound editing 2017 was awarded for his work on Arrival.As part of the Rencontres pancanadiennes du cinéma étudiant** Stay tuned, while waiting for your session: discover the first FNC sound Carte blanche.Via two sound capsules of 4 minutes (Le sonothécaire and Papyrus)one opens a door to close their eyes. An experiment without an image by Sylvain Bellemare.
A shoot turns into a nightmare when the director decides to push his ctors to the extreme.Presented by UQATas part of the Rencontres pancanadiennes du...
CANADA , France | 120 minutes | 2017
In a remote area of rural Haiti, strange disappearances of children occur. David tries desperately to find his little brother, even though he will have to...
HAITI | 120 minutes | 2014
An electric universe, an elastic moonscape, a potential film B, a postmeridiem alligator lemon.Presented by BISHOP’S UNIVERSITYas part of the Rencontres...
CANADA | 120 minutes | 2017
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